Joy Moos Gallery
The Gallery The Artists Self-Taught Folk Art/Tribal Ceramics Other Works/Studio Pottery Archives Links Contact Home
 
 Purvis Young 
 Damian Rojo 
 Menno Krant 
 Ian Pyper 
 Barbara Clark Fleming 
 Norman Laliberte 
 Bradford Naugler 
 Leo Naugler 
 Claude Bolduc 
 Marlene Mccauley 
 Michael Levell 
 Leon Fuller 
 John Boyer 
 Henry Miller 
 Norbert H Kox 
 Lee Godie 
 Hector Oviedo 
 
English Pottery / Porcelain
Folk art / Carvings
Studio Pottery
Tribal: African Yoruba
 
JOIN MAILING LIST
  


 

HENRY MILLER
 
Henry Miller HEMORIES OF HENRY MILLER
(Excerpts from article published in Japan Art Journal 1994 by Joy Moos. Copyright 1994)

Prologue

Henry Miller is not only the only author who was an artist. In Europe the tradition is an old one and includes such illustrious writers as Victor Hugo, William Blake and Goethe.
Miller’s paintings clearly show influence by Chagall and Klee, but he was also a great admirer of artists John Martin, Roualt and Grosz among others. “I have been influenced by both bad writers and bad painters as well as good ones.”
He never had formal training and learned through trail and error.
For Miller, life was the teacher.
After a two-year correspondence with Miller, I met him at his home in Pacific Palisades in May 1975. I had read and collected his books since I was a teenager and knew he was a talented painter as well. The prospect of meeting him at the age of eighty was thrilling and the following are excerpts from my journal during that extraordinary visit.

MAY 12,1975

“Joy Moos- Please come in. Door is open. Henry is waiting for you in his room. Wake him if he is asleep- Tony Miller”

My heart leapt at thought of actually waking Henry Miller!
I entered his room, leaned over and awakened him. We smiled-kissed ’hello’ as I propped his seat rest up behind him.
In gruff-like voice he thanked me and told me to sit at the foot of his bed.
And we talked, and we talked.
About everything.

We touched on so many subjects and his views seemed steeped in the philosophy I had read so long ago in his books.
To see this Henry Miller confined mainly to bed, arthritic; loss of sight in one eye and wearing a hearing aid –to actually be with him, simply shakes and touches me as no other experience has.
Our conversation flows on and on. We speak about Children. We talk about Fans. We spoke about Food.
He loves having a different cook each night and has lists of women who offer to prepare dinner for him.
Asks if I am a good cook!
‘Just look at me Henry Miller, I reply. Do I cook’?

MAY 27,1975

The first visit touched on so many subjects from playing the piano, to Noel Coward and Kate Hepburn, from Authors to Museums and Oriental women.
And today, finally, we talk about his paintings.

Miller’s work is of such exuberance and spontaneity that I wondered where his vision came from.
“Well, I hopeless at learning…yet my style changes day to day. After doing some 3,000 watercolours I have a pretty good idea of what I am doing…yet I am always searching. I like to use a variety of symbols- and I repeat them- you know? One is the Star of David. Why? I couldn’t tell you. And a half moon or crescent moon.

“I really don’t have any reason for doing anything. That’s why it has always been difficult to write or talk about my painting…..
The colours talk to me- and I implore them to show me the way. Often groping, using pencil, crayon, ink – whatever comes to hand, to give me ground for experiment”

Later, I am shown nine watercolours. I’m enthralled. I wish to purchase them all.

But this will not be any easy transaction…


Recommended reading:

My Life and Times by Henry Miller
isbn. 75-151843

The Paintings of Henry Miller 1891-1980
(Paint As You Like and Die Happy) isbn 0-87701-276-8

View Works By Henry Miller



All images © Joy Moos Gallery. All rights reserved. No images may be reproduced without permission of Joy Moos Gallery.

Site Design: Alaskan Star Interactive © 2004